These are my favorite shots, showing well this structure and view for passengers.
These are my favorite shots, showing well this structure and view for passengers.
Like this shot with shadows and leading lines to lonely walker.
Thanks! Fortunately nobody expected anything from me, as there was one photographer who shots this dance studio performances and also 2 video shooters. I tried to not to get on a way for them and public who shot performance with their phones, so I kept myself mostly to side and thus had limited opportunity for shots. And I was bit short with lenses, having 12-40 as longest lens, in some cases 40-150 would have been better to capture faces and expressions. I addition to this I had in most time no idea what to expect or on what to concentrate, so I was definitely in deeper water than I could paddle.
Anyway, I had fun, got some shots I'm pleased with and learned something so it's win in my books.
Rainbow Bee-eaters
Over a few days I managed to get closer to these fascinating birds. They are migratory and seem to have moved on now.
Love this action shot, well captured!
Rainbow Bee-eaters
Over a few days I managed to get closer to these fascinating birds. They are migratory and seem to have moved on now.
Beautiful birds. Don't they know we're supposed to be protecting bees now?! 😃
Beautiful birds. Don't they know we're supposed to be protecting bees now?! 😃
No one told them. I saw them catch many bees. Bird eyesight is phenomenal. They would fly out of a tree 30 - 40 metres, catch one and fly back. I watch the fantails flitting around in the air catching small midges, which I can only see when backlit by the sun.
Rainbow Bee-eaters
Over a few days I managed to get closer to these fascinating birds. They are migratory and seem to have moved on now.
As I said before, the shot of the bee eater with a bee almost in his mouth is magical.
@SteveMonks has written:Rivington Pike: A Black and White Night
Well, more of an evening really, but that didn't make such a good title.
As I've been suffering with my back quite a bit of late, I decided I needed a more lightweight kit for longer walks and as I had no issues with the IQ of the X-H2 and still had all of my Fuji lenses, the recently released X-T50 seemed like a perfect fit. I'm not ditching the bigger cameras, I love the results from them, but for days when I'm feeling a bit weary or my back is giving me grief, this will be the kit to reach for, at least in nice weather, given the lack of weather resistance.
Like most other internet commentators, I thought the film simulation dial was a pointless gimmick and would have preferred an ISO dial, but having it sat there encourages you to play with the film simulations a bit more and I found myself quite enjoying shooting in black and white, specifically Acros with the red filter to really punch up the blue skies, which is how I ended up with this all black and white set (there were various colour images too, but these are what I preferred).
They are all derived from raw images, so the colour is there if needed, but I liked the look of these as shot in B&W, given the live view at the time of shooting was also B&W I think it helped me to see the play of light and shade better than I would have been able to shooting in colour and then converting later, something I couldn't even do back in the film days of the 80s when I shot B&W out of necessity so that I could process and print them myself at home.
General thoughts on the camera, I like it. It's tiny, taking me back to micro four thirds days. The viewfinder is pretty good and the control layout matches my GFX pretty well, except for the lack of a dedicated ISO button (re-definable options are available) and the playback button is in the wrong place (top left rather than bottom right for one handed use). The only other complaint I have is the clickable thumbwheels feel very flimsy, but time will tell to see how they hold up.
All images taken with the Fuji X-T50 (although the EXIF will say X-T5 because I had to hack the raw files with EXIFTool so that my version of Capture One Pro could read them) and number of prime lenses, mostly the 23 f/1.4, but I think the 35 f/1.4 and 56 f/1.2 are in the mix too. I've subsequently bought a Sigma 18-50 f/2.8 giving me a tiny 24-70ish zoom kit which I took out on Thursday for the Summer Solstice, more pictures to follow with that.
IMO it's hard to shoot foliage in BW as colour information is lost and often all the details is gone with colours. But in these shots the foliage makes nice frame to those impressive structures without getting too much attention so I think BW suits very well.
Although I've shot quite a lot of B&W film in the dim and distant past, this was the first time I'd shot a digital camera set to B&W so that I'm composing through a viewfinder in B&W, which is something I'd never thought to do before, but I think it actually helps to see what will and wont work in B&W. After an hour or two of this, I definitely felt like I was looking for compositions a little differently to how I normally would.
Here's a couple of tree images I shot later in the week. Both of these were composed and shot in B&W and I think they work much better than the colour conversions I've added for comparison, reminding me of scenes from the old Universal gothic horror films of the 1930's, such as James Whale's Frankenstein. With the colour reinstated, I think they lose a lot of their atmosphere and menacing tone.
Some donkeys take a lunch break in the hot sun, near Sienna, Tuscany. A shot I stumbled upon as my satnav sent me along a dirt track for about 20 minutes. There are unfinished roads and then there was that road. Luckily my hire car just about survived.
They have beautiful eyes, I love them 😇
My sat nav took me narrowest and steepest streets of Sarajevo while I was trying to go to old Olympic village. It was a nightmare. I should have used my common sense instead of following it.
Beanfeast
I love broad beans. I love to eat them, but I also love the scent of their flowers and the beautiful black velvet splodges on their petals. I don't have space for many vegetables in my tiny garden, but I make an exception for some beans 😀
I love broad beans, cooked with olive oil, served with yogurt and dill. It tastes so good.
[](/a/K77DkWamkx7rFUqjQMLNTygivzv94k6oNx0fpFvvW21fe8rbhX4MGbLBeGTx7bII/24257/?shva=
Every garden needs a honeysuckle.
I used to suck pick them and suck the juice, it must be at least 40 years ago 😁
Rivington Pike: A Black and White Night
Well, more of an evening really, but that didn't make such a good title.
As I've been suffering with my back quite a bit of late, I decided I needed a more lightweight kit for longer walks and as I had no issues with the IQ of the X-H2 and still had all of my Fuji lenses, the recently released X-T50 seemed like a perfect fit. I'm not ditching the bigger cameras, I love the results from them, but for days when I'm feeling a bit weary or my back is giving me grief, this will be the kit to reach for, at least in nice weather, given the lack of weather resistance.
Like most other internet commentators, I thought the film simulation dial was a pointless gimmick and would have preferred an ISO dial, but having it sat there encourages you to play with the film simulations a bit more and I found myself quite enjoying shooting in black and white, specifically Acros with the red filter to really punch up the blue skies, which is how I ended up with this all black and white set (there were various colour images too, but these are what I preferred).
They are all derived from raw images, so the colour is there if needed, but I liked the look of these as shot in B&W, given the live view at the time of shooting was also B&W I think it helped me to see the play of light and shade better than I would have been able to shooting in colour and then converting later, something I couldn't even do back in the film days of the 80s when I shot B&W out of necessity so that I could process and print them myself at home.
General thoughts on the camera, I like it. It's tiny, taking me back to micro four thirds days. The viewfinder is pretty good and the control layout matches my GFX pretty well, except for the lack of a dedicated ISO button (re-definable options are available) and the playback button is in the wrong place (top left rather than bottom right for one handed use). The only other complaint I have is the clickable thumbwheels feel very flimsy, but time will tell to see how they hold up.
All images taken with the Fuji X-T50 (although the EXIF will say X-T5 because I had to hack the raw files with EXIFTool so that my version of Capture One Pro could read them) and number of prime lenses, mostly the 23 f/1.4, but I think the 35 f/1.4 and 56 f/1.2 are in the mix too. I've subsequently bought a Sigma 18-50 f/2.8 giving me a tiny 24-70ish zoom kit which I took out on Thursday for the Summer Solstice, more pictures to follow with that.
I love them , I liked the bridge with shadow. One of the steps shot reminded me Aztec's temples.
@SteveMonks has written:Rivington Pike: A Black and White Night
Well, more of an evening really, but that didn't make such a good title.
As I've been suffering with my back quite a bit of late, I decided I needed a more lightweight kit for longer walks and as I had no issues with the IQ of the X-H2 and still had all of my Fuji lenses, the recently released X-T50 seemed like a perfect fit. I'm not ditching the bigger cameras, I love the results from them, but for days when I'm feeling a bit weary or my back is giving me grief, this will be the kit to reach for, at least in nice weather, given the lack of weather resistance.
Like most other internet commentators, I thought the film simulation dial was a pointless gimmick and would have preferred an ISO dial, but having it sat there encourages you to play with the film simulations a bit more and I found myself quite enjoying shooting in black and white, specifically Acros with the red filter to really punch up the blue skies, which is how I ended up with this all black and white set (there were various colour images too, but these are what I preferred).
They are all derived from raw images, so the colour is there if needed, but I liked the look of these as shot in B&W, given the live view at the time of shooting was also B&W I think it helped me to see the play of light and shade better than I would have been able to shooting in colour and then converting later, something I couldn't even do back in the film days of the 80s when I shot B&W out of necessity so that I could process and print them myself at home.
General thoughts on the camera, I like it. It's tiny, taking me back to micro four thirds days. The viewfinder is pretty good and the control layout matches my GFX pretty well, except for the lack of a dedicated ISO button (re-definable options are available) and the playback button is in the wrong place (top left rather than bottom right for one handed use). The only other complaint I have is the clickable thumbwheels feel very flimsy, but time will tell to see how they hold up.
All images taken with the Fuji X-T50 (although the EXIF will say X-T5 because I had to hack the raw files with EXIFTool so that my version of Capture One Pro could read them) and number of prime lenses, mostly the 23 f/1.4, but I think the 35 f/1.4 and 56 f/1.2 are in the mix too. I've subsequently bought a Sigma 18-50 f/2.8 giving me a tiny 24-70ish zoom kit which I took out on Thursday for the Summer Solstice, more pictures to follow with that.
I love them , my pick is the bridge with shadows. One of the steps' shots reminded me Aztec's temples.
Sometimes it rains in Carinthia
Two views from the hotel balcony
Nice weather 😉, this is my pick.
Bobbio
Bobbio is an interesting little town near Piacenza. I took a day off work to visit this town. I wanted to see the incredible Medieval bridge and the Romanesque mosaics in the Abbey (next week).
I chose a weekday before the schools broke up to photograph the bridge, as this place becomes the local beach, for the people who live in the valley and it gets very crowded.
What a bridge !!!
I like the composition and compression of the image.
Not too busy.
Nice highlights and shadows. Beautiful street shot.
And now for something completely different
Last week I posted fire shots, which was last performance of dance studio's spring show. I happened to be there almost by accident, thanks to one singer of local pagan rock band, she posted info of this show in facebook and it seemed interesting enough to photograph, so I contacted her to ask permission for photographing and she forwarded request to organizers, who were ok with it. But it felt like jump to water in unknown place, as I'm not eager to shoot people, they are much more demanding in outcome than birds... Fortunately I managed ok and organizer seemed to be pleased with some shots. Phew...
It is an interesting set, you did it very well here.
@Woodsider79 has written:Beanfeast
Every garden needs a honeysuckle.
I used to suck pick them and suck the juice, it must be at least 40 years ago 😁
I remember doing that too 😁
Will definitely try your broad bean reccommendation.
Rivington Pike: A Black and White Night
Well, more of an evening really, but that didn't make such a good title.
As I've been suffering with my back quite a bit of late, I decided I needed a more lightweight kit for longer walks and as I had no issues with the IQ of the X-H2 and still had all of my Fuji lenses, the recently released X-T50 seemed like a perfect fit. I'm not ditching the bigger cameras, I love the results from them, but for days when I'm feeling a bit weary or my back is giving me grief, this will be the kit to reach for, at least in nice weather, given the lack of weather resistance.
Like most other internet commentators, I thought the film simulation dial was a pointless gimmick and would have preferred an ISO dial, but having it sat there encourages you to play with the film simulations a bit more and I found myself quite enjoying shooting in black and white, specifically Acros with the red filter to really punch up the blue skies, which is how I ended up with this all black and white set (there were various colour images too, but these are what I preferred).
They are all derived from raw images, so the colour is there if needed, but I liked the look of these as shot in B&W, given the live view at the time of shooting was also B&W I think it helped me to see the play of light and shade better than I would have been able to shooting in colour and then converting later, something I couldn't even do back in the film days of the 80s when I shot B&W out of necessity so that I could process and print them myself at home.
General thoughts on the camera, I like it. It's tiny, taking me back to micro four thirds days. The viewfinder is pretty good and the control layout matches my GFX pretty well, except for the lack of a dedicated ISO button (re-definable options are available) and the playback button is in the wrong place (top left rather than bottom right for one handed use). The only other complaint I have is the clickable thumbwheels feel very flimsy, but time will tell to see how they hold up.
All images taken with the Fuji X-T50 (although the EXIF will say X-T5 because I had to hack the raw files with EXIFTool so that my version of Capture One Pro could read them) and number of prime lenses, mostly the 23 f/1.4, but I think the 35 f/1.4 and 56 f/1.2 are in the mix too. I've subsequently bought a Sigma 18-50 f/2.8 giving me a tiny 24-70ish zoom kit which I took out on Thursday for the Summer Solstice, more pictures to follow with that.
I always need a bit longer to reply to your posts, with their normal multitude of images to look at ;-)
My favourites are the ones above. Nicely composed!
I've always thought that using the B&W setting directly on the camera and capturing in B&W would be a disadvantage because if the colour info is lost, you don't get the opportunity in post to modify the grey tones based on their colour. In post it's like having a set of coloured filters available, perhaps even different ones for specific parts of the image. That's sort of analogous to how you lose out when shooting only jpg and not RAW.
Maybe I should try sometime setting the camera to B&W to "look for good B&W scenes" in the viewfinder, then shoot them in colour and convert them in post to get the best of both ideas?