• Members 787 posts
    Feb. 14, 2024, 8:25 a.m.

    Welcome to the Wednesday Comments and Critique (No Theme & No Brand) thread!

    We are dedicated to continuing the great tradition of this C&C thread because we are convinced that looking at, and talking about images is vital for better photography.

    Our tried and tested concept (15 years and running!) is a weekly "peer-to-peer" photo comments & critique encounter, in which you GIVE and RECEIVE.

    The idea is simple: you post an image and get critique on it, and in return give other people your opinion of their images, or vice versa.

    Any Theme, Any Camera, Any Style, Any Subject.

    We are still figuring out how to create the convenience of threaded view on this new forum.
    For now, let us agree that you post an image with a title and short explanation, and that all comments include the image as a quote.
    Replies to comments may or may not include quotes.

    THREAD GUIDELINES – THE SHORT & SWEET VERSION
    • This thread does not care about brands. It’s not about the tool, but the image.
    • Post one image that you would like to get comments on (exceptions: see below).
    • Add a clear title to your post to reflect the image’s title and distinguish your entry.
    • Look at the other images and give your comments on at least one of those.
    • For comments, try to go beyond a simple pat on the back or a short dismissal.
    • Do you like an image (or essay) ? Try to explain WHY it appeals to you.
    • Negative feedback is OK (we all want to learn), but be polite and constructive.
    Try to explain why the image (or essay) does not appeal to you and how it might be improved.

    We will start with single images.
    Re-establishing our C&C for essays will be a next step.
    Please limit any individual contribution to a single image. This avoids confusion.

    The critique you give is vital.
    What was your first impression? What catches your eye about an image? Why?
    What do you like, and what distracts you? What would you change?

    Fiddle with the image in your head - composition, perspective, color balance, exposure.

    PLEASE NOTE CLEARLY:
    It is understood that unless the original poster specifically states that they do not want an altered image posted that you are free to alter the posted image and repost it in a reply for C&C purposes (no use for other purposes!). That reposted image may remain permanently or you may remove it after a short period of time if you prefer. No copyright disputes here!

    Encourage - it is a scary business putting your work up for other people to judge!

    More general feedback is also welcome.
    Do you know something about taking the same sort of image that would make matters easier - share your own as an example in your reply.

    And finally, here are some useful hints for navigating and familiarizing yourself with the forum mechanics of DPRevived:
    • Unfortunately, there is no threaded view (yet). We can’t simply keep images and their related comments together like we used to. So please make clear about which image you are commenting.
    • To do that, you may make good use of the “quote” feature. This allows you to keep the image in your reply. Excess content can be deleted. The “preview” button allows you to look at what you are going to post.
    • There is a difference between the “reply” button that sits at the top of the forum, and the reply buttons under every post.
    • A few threads in this new forum with useful navigation information:
    dprevived.com/t/how-to-use-this-site/387/
    and
    dprevived.com/t/how-to-embed-photos-into-your-post-directly-from-flickr/456/
    (this applies also, with modifications, to other photo hosting websites)
    and
    dprevived.com/t/how-to-quote/1014/
    Have fun and let’s stick together!

  • Members 787 posts
    Feb. 14, 2024, 8:35 a.m.

    FUTURE BRIDGE

    ChrisOly's contribution of last week, inspired me to revisit an old gallery of mine, documenting the final stages of a road bridge's construction (on a site a few kilometers from its final place) and then the 48 hrs operation of actually moving that bridge.

    Here, in case you are interested, is a hyperlink to the full photo essay on this feat of engineering and logistics:
    The Fine Art of Moving a Bridge

    From that essay, here is a sample image.
    While construction of the bridge is in its final stages on the vacant lot adjacent to the canal, the road directly alongside the canal is closed off. Many truckloads of sand are being dumped on that road, in order to make a foundation that will even out height differences between vacant lot, bicycle lane, road and canal border, on top of which a wooden construction will be laid.
    Over that wooden construction, an enormous crawler will drive the bridge onto the pontoon that will transport it downstream.
    All these final stages are visible in my essay.

    But here is a shot showing the canalside, the road and the bridge.
    My fisheye lens made the nearby straight edge between road and canal border, on which I stand, appear curved.
    roelh.zenfolio.com/img/s/v-10/p3660738428-6.jpg

  • Members 861 posts
    Feb. 14, 2024, 9:08 a.m.

    slidefilm.jpg

    slidefilm.jpg

    JPG, 1.2 MB, uploaded by OpenCube on Feb. 14, 2024.

  • Members 1416 posts
    Feb. 14, 2024, 10:03 a.m.

    Immersed.

    Immersed.jpg

    Immersed.jpg

    JPG, 721.6 KB, uploaded by MikeFewster on Feb. 14, 2024.

  • Members 1662 posts
    Feb. 14, 2024, 10:22 a.m.

    Excellent shot - really interesting and well done! Was it some kind of art installation?

  • Members 1662 posts
    Feb. 14, 2024, 10:24 a.m.

    Looks great. Love the composition and the look is very appropriate. Is it scanned from film? Any reason why you left the border in?

  • Members 1260 posts
    Feb. 14, 2024, 10:59 a.m.

    Ice crack'd...

    Great White Frozen North. Silent marina waiting for Spring.

    R1270007AS.jpg

    R1270007AS.jpg

    JPG, 3.6 MB, uploaded by ChrisOly on Feb. 14, 2024.

  • Members 1260 posts
    Feb. 14, 2024, 12:04 p.m.

    Somehow, someway a kaleidoscope comes to mind when one looks at this image. Rotating freedom?! The kid must be in heaven...

  • Members 1260 posts
  • Members 1260 posts
    Feb. 14, 2024, 12:08 p.m.

    Age of symbolism. Excellent effort.

  • Members 1260 posts
    Feb. 14, 2024, 12:16 p.m.

    Great series detailing massive construction move of a bridge. Amazing imagery.

    Your capture here is truly representative of the mechanics behind this enterprise and I spotted a lonely figure on the left attempting to document the historic move. Love the curving lines against blue sky.
    It must have been a long shooting process, but so rewarding. Well done!

  • Members 861 posts
    Feb. 14, 2024, 1:20 p.m.

    Yep, actual, real life honest to goodness 220 slide film from sometime in the past since 220 is dead. You can fake a frame, sure, but this one here is to be real. To remember history. To show it's still out there. And all the other philosophical mutterings I can make about how great real film still is.

  • Members 676 posts
    Feb. 14, 2024, 2:35 p.m.

    Art

    Art.jpg

    WhyNot

    Art.jpg

    JPG, 1.1 MB, uploaded by WhyNot on Feb. 14, 2024.

  • Members 1578 posts
    Feb. 14, 2024, 3:40 p.m.

    The little drainage ditch down the road in winter dress.

    _1290096-Edit.jpg

    _1290096-Edit.jpg

    JPG, 4.2 MB, uploaded by minniev on Feb. 14, 2024.

  • Members 533 posts
    Feb. 14, 2024, 4:42 p.m.

    Light in Berlin's Darkness

    A dark street in Berlin. Actually, I've just got back from Berlin, but this was taken a year ago.

    Pete

    H1227397-2.jpg

    H1227397-2.jpg

    JPG, 947.9 KB, uploaded by PeteS on Feb. 14, 2024.

  • Members 711 posts
    Feb. 14, 2024, 6:16 p.m.

    Visual-Chaos-pers.jpg
    Visual Chaos

    Oceanfront rental complex, off-season.
    The Strand, Oceanside, CA

    Visual-Chaos-pers.jpg

    JPG, 3.1 MB, uploaded by Rich42 on Feb. 15, 2024.

  • Members 1260 posts
    Feb. 15, 2024, 3:47 p.m.

    Talking about jamming variety of different configurations. Wild.