• Members 849 posts
    March 27, 2025, 4:39 p.m.

    The arched flow of action here is tense and compelling. I like the tender, steadying hand on his shoulder as he strains to capture there last possible drip.

    Brilliant color.

    Rich

  • Members 937 posts
    March 27, 2025, 4:54 p.m.

    Maybe I was not clear. It happens.

    1) I don't think the image needs portrait orientation. I just said that portrait orientation would be the expected format.
    But going horizontal is the unconventional and better choice, for the reasons we both stated.

    2) I did not think that blue border itself was a flag. I said that such a clear and straight blue band covering such an area of the image makes THIS (i.e. the whole image) almost look like a flag (with a division in bands and a central heraldic "medaillon"). The whole flag thing was just an intro actually, to make my mediocre dad joke about the country Unconventistan.

  • Members 849 posts
    March 27, 2025, 5:39 p.m.

    😎

  • Members 1890 posts
    March 28, 2025, 1:36 a.m.

    Roel, I can't get this photo to display at more than thumbnail size. I can't see it in enough detail to discuss it meaningfully.

  • Members 1890 posts
    March 28, 2025, 1:45 a.m.

    The art deco style of architecture was a gift that keeps on giving.
    In 1 and 3 I feel there is too much on the left taking our eye away from the long lines and copper highlights that are the strength of the images.

  • Members 1890 posts
    March 28, 2025, 1:57 a.m.

    Beautifully composed. All the weight from the impressive trunk is balanced by the framing branches across the top. The row of vines and their supports takes up the remaining corner while also extending into the scene. The parallel between the line of grape vines and the lower branch is a perfect touch. A gem in the technique of incorporating large close objects on a landscape.

    Edit addition. I had thought of adding a comment on Pete's use of DOF here but I didn't bother. A little later I came across a piece written by Mike Johnston on what he sees as the over use of bokeh. I agree and I thought of Pete's image.
    Here's a link to the Johnston article. You will ned to scroll down a little to get to the bokeh You will need to scroll down to the "The Most Common Mistake I See in Photographs Today" article
    theonlinephotographer.typepad.com/the_online_photographer/blog_index.html

  • Members 937 posts
    March 28, 2025, 8:53 a.m.

    It is an interesting place to explore, with huge possibilities for leading lines, strong diagonals and reflections (that polished floor in image 3 is a blessing).
    But I definitely agree that images 1 and 3 could benefit from a considerably tighter crop. We need just the reflection but not more of the empty floor in the foreground, and the side (left) can be cropped proportionally.

  • Members 937 posts
    March 28, 2025, 8:56 a.m.

    I love how the image is not even really a recognizable human form at first glance. It looks more like a flame, and it is the better for it.
    The colour scheme helps : intricate stage lighting can be a challenge to photograph, but sometimes that is a blessing in disguise.
    The absence of the tip of the foot: I am in dubio whether this is a shame or not. It helps with the "de-humanization" of the shape.
    Great how the face presents itself upon further scrutiny.
    All in all a very successful, semi-abstract performance image.

  • Members 937 posts
    March 28, 2025, 8:59 a.m.

    Sorry, I don't have the full scale image available on the computer where I am now.
    (I am migrating data to NAS and cloud, but I am not yet used to it..)

    You can view it already somewhat bigger with this link to Zenfolio directly:
    roelh.zenfolio.com/p775804748/h1e7170#h1e7170
    Click on the image to enlarge.

  • Members 937 posts
    March 28, 2025, 9:02 a.m.

    I agree on the composition being very strong is this bucolic scene.
    The tree trunk is massive, but it is not without detail : the fine lines of the bark are very similar, in fact, to the shapes of the vines next to it.
    Both elements are in perfect balance, largely because they also follow an intuitive rule of thirds division : the "heavy subject" takes up 1/3 and the airy background fills 2/3.

  • Members 937 posts
    March 28, 2025, 9:04 a.m.

    A wonderful look at diversity of species and certainly an interesting new chapter in your Dam Birds bible.
    The new arrivals seem to blend in well and have made themselves a comfortable residence here.
    Maybe a metaphor for successful (im)migration stories?
    (Just hoping they don't chase away the previous occupants.)

  • Members 1554 posts
    March 28, 2025, 10:01 p.m.

    Just magnificent might of an ancient tree with cascading hill with vines. Superb contrast.

  • Members 1554 posts
    March 28, 2025, 10:06 p.m.

    Just amazing how willing participants they are for your photographic journey. It is undoubtedly a bottomless resource in a constant search for Just the right image.
    Truly amazing site to capture these majestic members of bird population.

  • Members 1554 posts
    March 28, 2025, 10:13 p.m.

    A classic outdoor bar scene, but you certainly have lots of colours, tip of parasol and other participants in art of libation. Master stroke to focus on a glass of beer. Great scene.

  • Members 1554 posts
    March 28, 2025, 10:15 p.m.

    This red almost hurt my eyes(kidding). Excellent closeup indeed.

  • Members 1554 posts
    March 28, 2025, 10:17 p.m.

    I just leave it to imagination. One has to be there among the audience to appreciate the performance .

  • Members 849 posts
    March 29, 2025, 2:03 a.m.

    Thanks Chris!

    That glass of beer was in that position for an instant. A millisecond. I was lucky to have caught it. I can't claim to have been aware of it as I fired off several frames, following the waitress' moves at the table. I just knew I had a good scene and "covered" it. You can see the glass still on her tray just before she picked it up in the other image.

    Like so many "moments" in street photography, the photographer has no idea what actual slice of time the effort has captured until seeing the image in "post."

    Rich